周成林,1954年出生于江蘇阜寧,1972年入伍,1998年退休,著名書(shū)畫(huà)家。福布斯中國(guó)品牌文化代表人物。
藝術(shù)格言:“水靜心平,不浮不躁,創(chuàng)新不離根,同道之長(zhǎng)皆我?guī)?筆耕究法追求美,功到自然成。“小字如行云流水,大字氣勢(shì)磅礴。充分利用”動(dòng)”與“靜“的結(jié)合,“力”與”氣”共用,把書(shū)法這門獨(dú)有的書(shū)寫(xiě)藝術(shù)“筋、骨、肉,“神”與“形”表現(xiàn)的淋漓盡致、賞心悅目、風(fēng)格明顯、法自天然、自成一派”。曾先后在文化、文史、文獻(xiàn)、文物等出版社以及網(wǎng)絡(luò)上發(fā)表千字文、三字經(jīng)、弟子規(guī)、增廣賢文、古詩(shī)詞、名人名句、格言等六十余部典籍雜志文獻(xiàn)。
2008年,曾先后發(fā)表周成林填畫(huà)詩(shī)集、格言、感悟詞集。周成林“楷書(shū)”,書(shū)法之“正道”。周成林淺談書(shū)法入道的幾個(gè)問(wèn)題:“當(dāng)代藝術(shù)的再思考與探究”;“書(shū)法是藝術(shù),靠的是沉淀”;“藝術(shù)與風(fēng)格”等論述都先后發(fā)表。多年的歷練,寫(xiě)的是書(shū)法,出來(lái)的是思想、情感。把傳統(tǒng)的書(shū)法和現(xiàn)代書(shū)法相結(jié)合,用抽象的奇妙書(shū)法技巧,大膽創(chuàng)新,字一筆書(shū)就一氣呵成,依然蛟龍戲水,巨龍游天,用寫(xiě)意畫(huà)的用筆方法,融入字中,字中有畫(huà),畫(huà)為字用,行筆錯(cuò)落起伏,氣度非凡。出新意于法度之中,寄妙理于豪放之外,追夢(mèng)書(shū)法之根而不泥于師,同為書(shū)法之道,又異于同道,寫(xiě)出了動(dòng)感,亦書(shū)亦畫(huà),謂之變也。心無(wú)雜念,只向藝術(shù)低頭,持之以生而弗辭。
2019年,中國(guó)收藏,環(huán)球時(shí)報(bào),國(guó)際在線“人物傳奇”,清華美院,中央美院“中國(guó)藝術(shù)百年”,CCTV-4"百年巨匠”,先后介紹其風(fēng)格。中國(guó)書(shū)法研究,榮獲2019中國(guó)書(shū)法終身成就獎(jiǎng),特殊貢獻(xiàn)獎(jiǎng)!
Zhou Chenglin, born in Funing, Jiangsu in 1954, enlisted in the army in 1972 and retired in 1998, is a famous calligrapher and painter. Forbes Chinese brand culture representative.
Art motto: "Water is calm and calm, not impetuous or impetuous, innovation does not depart from the root, and the strengths of the same people are all my teachers, the pursuit of beauty in writing and research, and success will come naturally." Make full use of the combination of "movement" and "stillness", and the common use of "force" and "qi", to express the unique writing art of calligraphy "muscle, bone, flesh, "spirit" and "shape" incisively and vividly, pleasing to the eye, The style is obvious, the law is natural, and it is self-contained." He has successively published more than 60 classics, magazines and documents such as Thousand Characters, Sanzijing, Disciple Gui, Zengguang Xianwen, ancient poems, famous sentences, aphorisms, etc.
In 2008, Zhou Chenglin published a collection of poems, aphorisms, and sentimental words by Zhou Chenglin. Zhou Chenglin's "regular script", the "right way" of calligraphy. Zhou Chenglin briefly talked about several problems in the way of calligraphy: "Rethinking and Exploration of Contemporary Art"; "Calligraphy is Art, Relying on Precipitation"; "Art and Style" and other discussions have been published successively. After years of experience, what I write is calligraphy, and what comes out is thought and emotion. Combining traditional calligraphy with modern calligraphy, using abstract and wonderful calligraphy skills, boldly innovating, and writing a single stroke in one go, it is still a dragon playing in the water, a giant dragon swimming in the sky, using the brush method of freehand painting, and integrating it into the characters. There are paintings, the paintings are used for words, the strokes are scattered and undulating, and the bearing is extraordinary. The new ideas are in the law, and the wonderful principles are outside the boldness. The roots of calligraphy are pursued instead of the master. It is the same as the way of calligraphy, but it is different from the same way. also. No distractions in the heart, just bow to the art, hold on to it and live without words.
In 2019, China Collection, Global Times, International Online "Character Legend", Tsinghua Academy of Fine Arts, Central Academy of Fine Arts "Hundred Years of Chinese Art", CCTV-4 "Century Masters", successively introduced their styles. Chinese calligraphy research, won the 2019 Chinese Calligraphy Lifetime Achievement Award, Special Contribution Award!
《方 向》
《歸 真》
《信 仰》
《佛心禪意》
《瑞氣祥云》
《天下歸心》
《政通人和》
《江山多嬌》
《左拳右書(shū)》
《大悟無(wú)言》
《山高人為峰》
李白 《蜀道難》
詩(shī)詞 《沁園春 長(zhǎng)沙》
李白 《將進(jìn)酒》
《飛 躍》
《極 致》
《開(kāi) 拓》
《信 心》
《雨 讀》
《雅 逸》
《蘋(píng)果！祥光拱北 紫氣東來(lái)》
《福報(bào)平安》
《蘋(píng)果 福報(bào)平安》
《壽桃！ 鶴算千年壽 松齡萬(wàn)古春》
《壽》
備注(點(diǎn)擊可復(fù)制)：
